Daedalus Laments Icarus

Airborne he learned his wings worked their own magic.

Thermal currents, with the gentle rhythmic hunching

of his shoulders (the way I instructed him) did the work of flight,

having perfected the systems’ mechanics in tests myself,

although I warned him of the limitations of the adhesives.

First he circled the labyrinth, taunting our captors,

delighting at the sight of the tiny guards shaking their fists,

their arrows dangling in mid-air before falling back to earth,

that horrible man-bull thing rutting the lawn with its hooves,

the king stomping back and forth, cursing the sky.

Trying to be practical in all matters, I pointed the way

of a straight course toward the coast on the horizon,

but I saw Icarus feel the rush of flight, the flesh of his face

pressed taut by the wind, smiling from the kiss of sunlight

on the nape of his neck. First, he tried a few steep banks,

then loops, then, a high-velocity dive, pulling up in time

to buzz fishing boats, whitecaps lapping at his feet,

before climbing again, higher and higher, warnings forgotten

from a memory that held only the last instant of exhilaration,

higher than the gulls to where the island was hidden in its mist.

No one saw him fall but I; the fishermen didn’t notice.

But what I saw still haunts, the flailing arms and legs

splashing soundlessly into the sea, feathers floating

on the dark surface like petals scattered on a grave,

finally the crest of a plush wave, swallowing him.

They say that grief takes time, that first you make your peace

with the gods and then you make a separate peace with yourself.

Those who say so never saw their sons fall from the sky,

never gave their sons wings to fly to their deaths.

It is more of a cease-fire, not at all the same as peace.

True, the wings I invented were the means of our escape;

but eventually one grows weary of paradox and he wants to feel

what he feels, wants to face the face that still hovers in vapor

over the water and touch lost time again, wants to speak

what only can be spoken in silence long after it is too late.

The Pillar

About Fernando Botero’s sculpture, “Standing Woman.

Woman about town, fashionably plump, she didn’t
work out at a gym nor play games at a power breakfast.
She was your matronly grandmother, a domestic specialist.
In her prime, God-fearing–faith, husband, children first.

Rotund, no-nonsense face, cropped hair, and
stocky legs firmly grounded in home life.
She didn’t have street smarts, but her kids couldn’t
fool her. She knew how to manage her life.
If she had baggage, no one realized it.

She always left the house with feathered hat
tipped to one side, gloves, and sensible shoes,
boundless hips rocking, generous arms swinging.

Wholesomely buxom, she bulged with pride
for family and community. Night out at
the VFW Post, she wore a ruffled dress,
accentuating her huggable build, and had a clutch purse.

She raised money for schools and orphans,
had four kids in six years, balanced a chubby baby
while vacuuming, cooked complete meals,
did piles of laundry, and ironed even the tiniest corners.

She didn’t dream of finding herself.
Sitting beside her hearth with
the knitting circle was her me-time.

When she died, her reputation was bronzed
in neighbors’ minds for living a solid life.
That recognition would have satisfied her.

Somewhere the Sea

San Donato di Ninea, Italy

A window dressed in mystery:
curtains allow only a glimpse
of rooftops, the drift of rain,
the promise of sea. Where they part,
a sliver of balcony cuts the hills.

For ten days, we live intimately
with strangers, lost cousins.
The old house smells of wax
and wood and family.
Standing at the sill, we listen
to found music, the blood singing
in the moment when the air is hungry.

Chimneys lean into each other.
Below us, a small white cat
crouches on a doorstep between
two flowerpots, her fur
wet with rain, her head
a little ball of fallen sky.

The invisible sea, with its
warm waves, stones and shells,
its white-rimmed restlessness,
its life of grasping and letting go,
asks nothing less of us
than surrender.

Morning in the Wetlands

Looking for my lost self
I walk the Wetlands path.
A redwing’s quiet conk-la
and its shrill reeee! announce

I’m trespassing. When I step
too close to his mate’s nest,
she chitters her tink, tink, tink.
He flies in, a kamikaze aiming

for my head. Okay, Okay,
I say, quickening my step
away from his marsh mate,
I’m willing to watch

from a distance. A mallard
mother, camouflaged
among cattails, broods
her eggs, guarded

by her green-headed
hero. At my approach
he shifts, stands,
takes a few uneasy steps.

I have not come here
to bring fear, only to
get in touch with some
part of me hidden within,

something released only
in the presence of the wild,
the unpredictable,
the unspoiled. I turn

to leave, still not at rest.
A great blue heron
lands on the water
like a blessing.

~ Wilda Morris

Published in the anthology, Natural Voices: Celebrating Nature with Opened Eyes (Natural Land Institute, 2018).

a severe calm

like daffodils and un-bloomed syllables
sponges grow in an ocean
of sea life
like a Thesaurus sees so many species
of swimming words looking for a coral
to rest upon
a poet to deep dive into the wreckage
of sunken flowers
and rusted hulks of words

a heartbeat once lived 
on a sandbar of confidence

but writing moves
when the buoys aren't anchored strongly enough
and we feel submerged in criticism

of those daffodils and un-bloomed syllables
that are either land-locked
or too water-logged to make sense.

erin-cilberto

Family Farm

Like her own face, she thinks, all
that barn needs is a good paint job.
Weather-worn. She knows how
that feels. We've both done our share
in ninety years,
she tells it out loud.

How many winters did she trudge
out to milk those dumb beasts
to quiet their lowing, hear the hiss
of steam rising in ice-coated buckets,
see gratitude in their wet eyes?

The paint she called ocean blue –
now faded to weary sky – how proud
she'd been to tell her friends, Turn right
off of 34 where you see the barn roof
shimmering like a lake in the cornfield
.

It's been twenty years since Elmer
drove his tractor back 'round the curve
toward the shed, forty since any horses
clopped there, near eighty since she
and her sisters rode the buggy to church

singing She's only a bird in a gilded cage.
She looks out one last time to the barn,
drinks it in deep before her daughter
wheels her away to suffocate in some
small room twenty-five miles away.

Idea Germ

An idea germ fell off my pen. I shook
the writing instrument hard; a few more
thought microbes dropped, landed on blankness.

Somehow I liked the way this poem took off
on its own – built a form I’d never seen. Could
this be magic or a mysterious disease?

Strange, after that, for a time, no matter
how much I exposed myself to more contagion,
read new poets, searched newspapers
for unusual words, fed on unwashed dictionaries,
few thoughts infected my page.

Art can be like that – illusive, flighty,
independent with a mind of its own. A bit showy
at times, wanting recognition, but refusing
to be put in a box and labeled.

Sometimes, loping along, I almost see something,
then it wisps into a fog that won’t stay put on paper.
It leaves an artful trail across a window. Quick
I grab my pen, but it steams away.

Never mind. I can wait. I’ll keep placing words,
one after the other, on my page until an image takes shape.
Then I’ll know art and I are on speaking terms again.

Hyde Park Picnic

In the Hudson valley, in 1939,
President Roosevelt was planning to dine.
He was having a picnic, for the king,
hot dogs were something they chose to bring.
King George and his wife Elizabeth,
simply loved the hot dogs to death.
The queen ate her hot dog with fork and knife,
The king ate it by hand, unlike his wife.
At the time, there was anti-British sentiment,
so this historic picnic was no accident.
Europe was on the verge of war again,
so Roosevelt created a picnic to attend.
The king tried hot dogs, and asked for more,
courtesy of Franklin and Eleanor,
Three months later England declared war,
and the U.S joined them on the shore.
The Americans and British did not bond before,
but they became allies on a military tour.
Who would’ve been able to predict,
that Roosevelt would create a famous picnic.

Mark Hudson

Grown

I am a packet
Of wildflower seeds
Someone gifted you
On Earth Day
Before there was an Earth Day
Ransomed to the purpling soil
Who knows what to expect
Milkweed makes sense
If you want someone to care
For you in your old age
Sunflowers are loyal but
Take up a lot of room
Is that why
Though you loved it
You chopped down the four o’clock?

I would prefer to
Be the empty can ecstatic
On the garage roof across the alley
Stuffing itself with
Prairie wind whilst I
Fingerpaint tolerable memories
Of Queen Anne’s lace and
The rattle of mini-blinds
In that cheap apartment
Like someone’s stealing a bicycle
These rooms are way too full
Of sticky paraphernalia
Busted tires please
Don’t let me be left on the side of the road
Face-planted in the primroses.

The Drawer I hadn’t Cleaned in 30 Years

His keys to my old place before we moved in together.

A JFK 50 cent piece.

Temporary tattoos. I thought we’d used them all.

Fangs, adult size.

The silver case he gave me for my now obsolete purse calculator.

False eyelashes, (which my ophthalmologist now forbids).

Earplugs we used when we went to hear the kid’s garage band play.

Hypnosis tapes for losing weight.

A perfume bottle with the scent he chose for me.

An LED headlight for power outages.

Money, in the clip I gave him.

His glasses.

Kleenex.


Virginia Braxton

Soap Opera

Because the god of plumbing
had an argument with the god
of laundry appliances,
I met the morning with a mop
instead of hazelnut espresso.

Because of caffeine deficiency
and a wet floor, I shuffled
out the kitchen door, old clothesline
atop a basket of soggy clothes braced
on my right hip, weighty as the world,
oceans spilling down my leg
filling my shoe.

But isn’t it something to have shoes,
and the clean water is a bonus,
an entitlement taken for granted
in my kitchen where I sip coffee
and watch my boys’ bodiless
baseball uniforms run in the wind
stealing every base to home plate.


Anguished Souls, Eternal

A Zig-Zag “agonia” highway.
Memorabilia strewn along the way.

Menorahs, skull caps, faded photos and the like,
paving this Royal Roadway To Remembrance.

And at the end—a cold pit, built in reverse,
soaring up into the black sky.

There—hundreds of thousands of scarlet,
agonized faces,
weeping blood tears.

Countless multitudes draping its inner walls;
their images, indelibly being seared into our souls.

Lamenting, once and for all,
our memorial dirge:

How helpless each one was,
when the “Grim Reaper of Hate”
threshed down entire wheat fields.


Paul J. Kachoris
November 17, 2018

A memorial poem dedicated to The Jewish Museum, Berlin, Germany





Bio of Joseph (Joe) Glaser

Most of Joe’s career was technical management, but near retirement an interest in Liberal Arts blossomed and he began writing poetry in 2008. His poems have been published in Front Porch Review, Muses’ Gallery of Highland Park Poetry, Journal of Modern Poetry, East on Central, Distilled Lives, and other journals and anthologies. Candid travel photos too.


No Wall, Not This Time

We did not climb over a Wall,
not this time.
Mama had left her Warsaw Ghetto Wall,
buried deeply in the scars of her survivor’s guilt.
Papa had exiled Stalin’s Siberian Trenches,
drowned frozen in a distant subconscious.

Not this time, not in 1961,
this time, in 1961, papa, mama, and me,
we crossed an ocean.

Statue of Liberty greeted us with poetry.
Poetry, language we did not understand,
Mama, papa, and me.
Waves rocking our freighter ship deck whispered;
Mother of Exiles, New Colossus, says something about
“breathing free.”

Displaced Person, DP, Green Card, Greenhorn,
In fifth grade, I sang pho net i cal ly, to fit in, fit in.
E ven tu al ly, syllables arranged themselves into words.
Words into sentences, and understanding into
Spelling bees…
Eventually, this language no longer eluded me,
not, totally. And,

I sang,
“The land of the free and the home of the brave.”
At school, at home.
Our attic apartment resonated with the land of the free,
the home of the brave.

Sang to my brave mama, my brave papa.
Sang from deep in my heart.

Papa and mama nodded their heads, hummed along.
Hands on their hearts, hummed to a flag of yet another land,
this land, this final land,
free, brave.

Papa’s gravedigger’s hands, fingernails witness to cemetery soils,
right hand on his heart.
Mama’s cleaning woman’s aching back momentarily straightened,
right hand on her heart.

Tired, poor, huddled masses, breathing free.

Emma Alexandra

Bio of David Nekimken

Grandfather of Jarell, Maia and  Imani. I enjoy living in a housing cooperative in Hyde Park with 19 young people. I have been a poet most of my life with poems published in the Journal of Ordinary Thought and the Journal of Modern Poetry. I have published a book of poetry Anything and Everything Goes, available on Amazon.


Tornado Warning

On our way to Door County, I started out our
trip with a prayer to God for a safe trip. The first
foreshadowing seemed to be a building that said,
“Abandoned haunted house.”

My sister did not let my niece and nephew
know there was a tornado warning, because they
get really scared when it rains. Suddenly, rain
began to pour down so fiercely, that I thought
we were going to need an ark.

My niece threw a fit, “I’m scared! I want
to go home!” and she wouldn’t stop screaming.
I saw people who were riding motorcycles who
had to pull over to the side of the road, and I
saw a man on the other side of the road walking
all alone.

We eventually had to pull under a bridge
till the rain stopped. Eventually the sun came out,
and we drove again. I think the kids were even
able to take a nap.

As an adult, I can have fears, because I
am aware of the evils that really do exist. But
I trust God to protect me from whatever comes.

There were two instances on the trip
where I became very proud of my nephew.
When he wanted to walk bare-footed into wavy water
and stand on a rock, I let him. When he went
kayaking by himself, I knew he was getting braver.
My niece has her yellow belt in karate.
I’m actually the chicken!

Mark Hudson

The Spaciousness of Books

Twenty-first century clutter traps me
fills my time and in a daze my days disappear
–what with Facebook Twitter Email Facetime YouTube
Wikipedia Blogs Podcasts Texting IM Instagram.
Twentieth century paper clutter still around still abounds
mail delivered daily: donation pleas, advertising come-ons
– tossed out
magazines mailed monthly: AARP, Southern Poverty Law Center and more
– kept in baskets
handouts from: poetry readings, classes, events, workshops
– kept in files
(like my emails, maybe to read or to need later).

Yet in my house there are books
on shelves
on tables
on night-stands

many old
a few new
some from the library
some from friends

with their solid feel
and their sometimes temporary status
– I read them now
(unlike my Kindle, its electronic books unread).

Books in the twenty-first century are
unique a treat rare

and when I curl up in a chair 
and hold a book
and feel the paper
and turn its pages

when I read and reread and mark parts I love
with sticky notes or paperclips or highlighting
or when I underline

my life is spacious and slow

in the old-fashioned twentieth century way.

Fire

A campfire in a forest clearing Families and friends sharing deeds of derring do sorrows and joys along the way telling ghost stories under a crescent moon, Nurtured by the bright red and orange flames crackling ash, maple, cedar tones and their distinctive smoky aromas, Bonding with hot dogs on a stick with the works: mustard/ketchup, relish, onion and tomato slices, And smores…

A bonfire outside city limits Arrows of heat shooting toward skyscraper heights with sparks of unrestrained passion, Dancing flames beckoning human witnesses to release political correctness cultural taboos personal inhibitions, Uniting present with past ancestral histories with current narratives, Our vital thread of existence…

A wildfire occupying population centers Blazing a trail with scorched earth intention an unbiased incineration of forests, grasslands vineyards, orange groves celebrity estates, ranch-style homes future hopes, histories of achievement, Defying all efforts of orchestrated unity political finger pointing climate change discussions, A monumental task to extinguish once unleashed...

A suddenly wide awake volcano A feral force of Mother Nature living in the bowels of Planet Earth amassing a litany of grievances (centuries of human intolerance, neglect) reaching its boiling point Blows its top spewing bits of primeval rock and lava as a molten river of unrepentant fury on paths of unstoppable destruction…

Fire The light we read by The heat we warm by The means we cook a meal for sustenance.

David Nekimken 11/18/18