Rhamnus Cathartica (Common Buckthorn)

Mourning doves coo to each other and young hawks circle the sky 
flight patterns dancing overhead
rays of sun hit the meadows edge
two broad canine heads boast crowns of wild sunflowers and butterfly weed
they munch grass like goats in the warmth of the afternoon
Althea’s lips form an O as she sucks up fallen chokecherries 
Noble’s strong jaws crunch cracking meat from acorn shells
streamside their patient tongues lap between frogs and minnows, among the algae
full bellies lull them to sleep in the big blue stems of grass 
under the shaggy bark of the hickory sits their transcendent queen in half lotus

unaware that from the shade of the forest
a stag, with twelve points to be made is watching
he silently accosts her meditation, mashes his deer lips to hers, 
sucking the ujjayi breath from her mouth, hooves like stones pin her gyan hands
hornets swarm from their nearby hole, stinging protest
and Althea & Noble hear nothing through their dog dreams, kicking and whining in the weeds
hidden by stalks of mullein, the stag is sated
he wrests away her hawthorn ring and the spellbound queen sinks into the deepest sleep
nine months later, baby buckthorn penetrates a frosty ground
beneath the hickory, a single story is unbound

Bio of Erin O’Bryen

Erin O’Bryen hails from Mississippi. Since returning to Chicago in 2018 after eight years in San Francisco, she’s enjoyed attending poetry workshops to write and learn with other poets. Erin participates in GeNarrations storytelling sessions at the Goodman Theatre and has presented at Fillet of Solo. Erin sings, plays piano, and takes ballet, all of which delight and inspire her.

Waltz in Two Summers

It had rained for days
jetties and breakwaters barely visible
Head down searching for sea glass
I found instead a pair of stained glass wings
caught in the wet sand
At first it seemed a mere carcass
but bending down I caught
the faint struggle
and pried him gently from his trap

The perfect feet clinging to my fingertips
in unexpected trust
stuck with me for the walk through the dunes
to a fuchsia tree or something like it
Nudging him to a twig
his antennae now mimicking
the stamens’ spright
I left him to live out his day
And I mine

Do you know about this
the way a thing that flies feels
the grasp of a June bug’s claw
Come go with me
to the dark windowed night
the popping screens
ecstatic with beetles
holding hands
salted in summer

At one time we rode bikes
behind the bug man
Found a bottle for a rocket
Red rover
Ate sour lemons on the stoop
Drank from an iron spigot
Picked off the red dot mites
just like that
one two three

Bio of Melissa Huff

Melissa Huff feeds her poetry from the mystery of the natural world and the ways in which body, nature and spirit intertwine. She won awards in 2019 and 2020 in the BlackBerry Peach Prizes for Poetry: Spoken and Heard. Publishing credits include Gyroscope Review, Blue Heron Review, Persimmon Tree, The Road Not Taken andSnapdragon: A Journal of Art and Healing. Melissa very much appreciates her Chicago-based workshop group - the Plumb Line Poets.

Wakening

“There’s a crack in everything. That’s how the light gets in”  Leonard Cohen

Her spirit lies fallow—
a barren plot of parched ground,

an abandoned lot hemmed in by walls
that feed her darkness. In the shadows

a flute begins to play. Notes flicker and fade
like fragments of ancient music—familiar,

though she’s never heard it before.
She senses movement,

a shift in the flow of air,
a trail of warmth along her wounds.

The music strengthens, seeps
into inner crevices, teases out

strands of her forgotten song.
Notes shape themselves

into droplets of water, form a trickle,
grow into rivulets that run

through thirsty cracks. They find
those seeds of wholeness hidden within,

soften them until they split,
sending green shoots skyward.

Her spirit leafs out,
breathing in the light.

— Melissa Huff

Published May 2021 by Blue Heron Review.
This poem was written in response to a painting by Tania Blanco, “Healer of the Soul”.


My Fantasy

For some strange reason I have always fantasized about becoming involved with a blue-eyed Italian psychiatrist, hoping to be pulled into his deep Cerulean eyes. I would ignore his thick Cimbrian accent, melting from his low sultry tone, I’d stare at his thick blond hair, dismiss the relevance of his hands waving wildly at me urging me to stia calma. I refuse to speak up, he urges me to be coraggiosa, reveal what has been troubling me all these years, holding me back. His eyes beckon me to come closer, it would be his gaze that would force me to submit to my old terror. Sadly, just as I am about to reveal my fears, the bells toll from the tower of the cathedral across the piazza. Then, the timer on his desk chimes that my hour is up.

A Kindergartener & His Teacher, in Portrait

slim finger laid against Her tightly pursed lips 
dividing the course craven hairs cowering atop,
bitter dark chocolate percolating in each crusty corner.
around the room She is drifting, elbows winging:
brillowed black hair and a serious snoot
She is maneuvering shin sharp tables 
surrounded by trippable chairs
wafts of paints, crayons, and cookies flow on the air

and with leering looks of incredulity and scorn She 
reduces him to dust five times a day 
assessing his paper, grabbing his crayons, 
proclaiming scribble scrabble, 
pushing toward him a single leaden pencil
thus watering and sunshining seeds of self hate 
planted by his divided parents
She pushes them deeper into underdeveloped 
tissue soft recesses close to the bone 
a reminder forever

of shoes too big for too small feet, 
feet that refuse to fall in line
puffy pull-up threatening the elastic in his jeans
hang dog expression hardening his face of
translucent skin framed by fine orange hair,
crooked saucers astride his head
eyes round with shame
sitting in a chair at the back of the room 
in permanent pout

while the good, the blessed with clean clothes 
sit criss cross each pinned to a colorful carpet square
embracing Her pecking-order, they’ve outgrown the 
need for a nap, and have flexible fingers producing tenuous letters 
on white boards in their laps while Her talonous pointer lands 
primly on each dear page of the glossy picture book

Bio of Gail Denham

Two prize wins in Missouri State poetry contest, and several H.M.; published in Poetic Voices (Pennsylvania); various poems in anthologies and newsletters. A bit slow right now. Working toward poems for Florida anthology and Arizona State Poetry contest. Also the Springfield Writers Guild short story contest.

As my poem indicates, I'm a fan of my husband, Dan, who can fix most everything, and if he stumbles, he reads the instructions. Huge contrast between us – he an Electrical Engineer, me, a right-brained writer. For 40 plus years, I wrote. Many short stories, news articles, poems and photographs were published nationally and internationally. In between, we raised four sons and helped with many grandchildren. As empty nesters, we now stay in touch with family – I write and he still keeps the wood box full, among many other projects. And I'm thankful to God for Dan.

Long ago, it was quiet here in Central Oregon. Pioneers had set up homes, ran ranches, raised crops. But then Californians and folks from the western valleys discovered this land of lakes and mountains. I write of the old, old days when times were slow, growing up in Redmond, we never locked doors. Long time gone. My works have been published nationally and internationally for over 45 years.

We have four sons, lots of grandkids, and love this land also.

They Left Their Bushes

Healthy lilac bushes sit by a wooden
stoop into what was a home. The house
no longer stands, but once it creaked
through hill storms and bent under
winter snow, sheltering a family.

We step between purple blossoms into
the home that was. Almost we smell
a steaming pot of beans, fresh cornbread.
The wind, like the shouts of free range
children, scuttles through.

As we move through the small dwelling
area, family presence surrounds us. We
envision a plank table with red checkered
cloth, imagine mealtime chatter and muted
worry talk of water shortage and failing crops.

Nearby, a tiny orchard remains, planted in hope.
Stunted apple knobs and what might be pear,
fruit that hangs on, even though the family
had to desert this hilly homestead.

We rescue a rusty 1935 license, tuck it beside
flavors of family we imagined, leave lavender
blooms, wormy apples, and an echo of children
laughing.

I cannot forget this place. It spins in and out
of fond memories. I see it now, tucked in the
hills behind Lone Pine. And I always wonder.

(Printed in my 2009 chapbook, “On The Way
to Everywhere” out of print)

Bio of Jenene Ravesloot

Jenene Ravesloot has written five books of poetry. She has published in After Hours Press, The Ekphrastic Review, Sad Girl Review, Packingtown Review, DuPage Valley Review, Caravel Literary Arts Journal, Connotation Press: An Online Artifact, The Miscreant, and other online journals, print journals, chapbooks, and anthologies. She has received two Pushcart Prize nominations in 2018.

Backwards

we tunnel into soil—railroad worm to your
click beetle waving our brave colors like
war flags. We’re drunk on aphids, millipedes,
and bioluminescence.

Here we stir and thicken beneath the lights of
the long-horned beetles. Then, when we are
done, we slowly drift upwards until we take
human form again.

Jenene Ravesloot

The Rhinoceros of Versailles

From Calcutta a big creature came;
for King Louis XV it was a present.
The rhino in France would have fame;
A rhino treated better than peasants.
After six months aboard a ship,
the Indians had the rhino to bring.
It was quite a rather long trip,
but a rhino for a famous king.
The rhino was on display in France;
but a villain with a sword caused dismay.
The rhino was cut up with the lance,
and his carcass was not fit for display.
The skin and the skeleton were preserved,
of the most famous rhino ever observed.


One Drop

Like strands of light
spun and twisted,
her-story

takes refuge in the helixes
of my DNA, the marrow of
my bone, and the embryonic
configuration of my
omnipresence

Invisible to the naked eye
tethered to chromosome
and histone

I sleep between
layers of frayed memories
and ancestral work pants
cloaked in secrecy 

Swatches of yellow,
blue, and green
are woven and stitched
together
in a binary landscape
anointing
unfolding
bearing witness
to my delivery.

Climbing Jacob’s ladder,
following the evening star,
the drunkard’s path
spearheads a wild goose chase

in search of the one drop
trussed to antiquity,
in the coils of my hair

The heavy presence 

of your absence
thick in the air
like humidity 
on the bayou
time passing by
as slowly as 
molasses dripping from
Grama’s wooden spoon
a yearning  
permeating my life
everywhere I look
I don’t see you
can’t feel you
hear or touch you
all I have is
impersonal: Facetime
I-pad filled with
photos, videos.
my preference is
having you perched
sitting near me
better yet, perched
up on my lap
I want to feel
your hair, tickle you
watch you smile
hear you laugh 
beside me.

Not Perfect

You are a special Mother
because you have a special Child
who was not born perfect
you’ve had to watch and endure
know that there is no cure
you’ve had to be steel
knowing future life is so uncertain
having no choice but to cope,
while never giving up
you’re heroic, stoic
normal milestones, there may be none
joys of first words that may never come
nor first steps to marvel and enjoy
you merely take each day
are grateful for each one that comes
your child may never become an adult
may never see your smile,
or ever hear your voice
no one understands your special needs
you are a special Mother,
I look at you in awe

© 1999 unpublished book

RM Yager Lyrics of Our Lives

Bio of Mike Freveletti

Mike Freveletti is a consultant at an insurance firm in the Western Suburbs of Chicago. He has been writing poetry, short stories, and plays for the past 10 years. He is currently the Historian and Email Coordinator for the Illinois State Poetry Society and his work has been published both online and in print for publications like RiverPoets, Kind of Hurricane Press, and Gyroscope Review.

Before We Get to Desire

I find myself drawn to the security
Of a single though
tNot a confluence of ideas
Or a sense that commonality
Is what binds us to one another
Yet the only angel I look to
Is the one who unravels expectation
And draws upon the night
The only true instance of silence
Where that security is a dream
That formats what we are
In this house, being ourselves.

The air buzzes with angry words

and too much ballyhoo. We know! One of us has to go. But who?
Forget those leather masks from Mexico. The faulty
suitcase won’t stay shut.

Your prized Seymore Rosofsky lithograph leans against the
bedroom wall; my rolled silk prayer rug from Nepal;
our favorite intaglio print. The faulty suitcase won’t stay shut.

The silverware and bric-a-brac are still unpacked. Stay or go.
We can’t decide. The air buzzes with angry words and too
much ballyhoo. The faulty suitcase won’t stay shut.

Jenene Ravesloot

Caffé in the Cinque Terre

Caffé Americano?
Latte Monterosso?
Macchiato? Cappuccino?
Possibile decaffeinato?
Oh, oh, the coffee dilemma (Italiano).
Not a problem for the caffeinated native,
ordering like his Ligurian grandpa,
sipping at the tiny table, contemplative.
But the Chicagoan, truly foreign,
fumbling his euros like florins,
gesturing, grinning, per favoring,
wanting only decaf for ailments boring,
cannot convey the essence of the question,
and here’s why:
For all her caffé history
decaf is a mystery that Mia in her caffé bella
doesn’t care a prayer about, hoping
for intelligenza from this agitated tourist,
this single-lingo singularly nonitalian fella.

Bio of jacob erin-cilberto

jacob erin-cilberto, originally from Bronx, NY, now resides in Carbondale, Illinois.  erin-cilberto has been writing and publishing poetry since 1970.  He currently teaches at John A. Logan and Shawnee Community colleges in Southern Illinois.

Erin-cilberto’s latest book pour me another poem, please is now available through Water Forest Press, Amazon, Barnes and Noble and Goodreads. His previous five books, Rewrites and Second Chances, an Abstract Waltz, Used Lanterns, Intersection Blues as well as demolitions and reconstructions are also available from those websites. erin-cilberto has been nominated for a Pushcart Prize in Poetry in 2006-2007-2008 and again in 2010.  He has taught poetry workshops for Heartland Writers Guild, Southern Illinois Writers Guild and Union County Writers Guild.