Poets and Patrons Logo



Contests Books
Winners In Memoriam History Officers Poetry

Turquoise columns along a sidewalk in Chicago.

February Workshop





February 25, 2017

1:00-4:00 p.m.

Harold Washington Library, 400 S State Street, Room 3rd Floor-6N



What is a prose poem? What is the dividing line between a prose poem and flash fiction? What distinguishes a so-so prose poem from an excellent one? Kathleen Rooney will help us explore these and other questions, providing suggestions on how we might write publishable prose poems. Poems submitted in advance will be critiqued.

Workshop Leader




Kathleen Rooney

A founding editor of Rose Metal Press and a founding member of Poems While You Wait, Kathleen Rooney is the co-editor with Eric Plattner of Rene Magritte: Selected Writings (University of Minnesota Press, 2016) and her second novel, Lillian Boxfish Takes a Walk, is forthcoming from St. Martin’s Press in January 2017. She lives in Chicago with her husband, the writer Martin Seay.






The greatest desire of every door is to open. So thinks Loulou the Pomeranian, gifted, as dogs get, in the scratching-at of doors. Anticipation of entry, anticipation of exit: getting outside for the relief of peeing, getting inside for relief from the elements.

This door the master has painted above a wooden floor is the 2-D incarnation of Loulou’s fantasy threshold: a door with a biomorphic hole. A door of simultaneous darkness and light. A door that says not either-or but both. A door with a Georgette-and-the-master-and- Loulou-shaped cutout.

“It’s a role that doesn’t suit me, father-of-children,” the master said the other day to an interviewer, letting Loulou out the back. “The garden is quite big enough for the children we don’t have.”

One’s first look at a painting should be like a room with many doors. One wonders which will open and where it will lead. Loulou’s unexpected answer: like thoughts, this door lets one be two places at once.


~ Kathleen Rooney


Not a manifesto, but a manifestation. A collage. A wooden stage blackly framed with curtains. Bilboquets with rigid branches: trees of unease with musical notations for bark. Often, Loulou the Pomeranian has wished that he could play those songs on the piano in the long drawing room he shares with the master and Georgette, but his paws are too small. Paul, the master’s brother, is a musician, but he demurs at Loulou’s requests, preferring to play works of his own composition.



Magritte’s first foray into the Surrealist forest affords an irrational anguish to Loulou. Branches like arms, branches like antlers. Loulou’s pom ears hear echoes of Uccello’s The Hunt by Night: perspective and disappearance and horses and hounds and men with spears. Whatever they are attacking remains unseen. As does what this jockey, lost, is chasing or fleeing. Where is his racetrack? And why didn’t the master put dogs in his version? Loulou tries not to take such omissions personally and he knows that many people would not technically consider him a “person.”



The horse has a face, but the rider is faceless, both of them displaced and incongruous with crazily bent joints. Speed and its freedom, speed and its emptiness. The whip flipping its arc from sky to flank. How does the horse not trip and fall on the thankless course? The horse’s hooves, when they hit the white geometry, beat ever on the point, the point, the point of vanishing.



~ Kathleen Rooney





Optional Assignment

You may send a maximum of two poems for critique, preferably prose poems (no more than 200 words per poem, please). If possible, email them to wildamorris@ameritech.net with P & P in the subject line. Otherwise mail your poem(s) to Wilda Morris, 499 Falcon Ridge Way, Bolingbrook IL 60440-2242. Deadline: February 5.

Fee: There is a fee of $5 per poem for members; $10 for non- members. The fee must be paid for each poem submitted, even if you do not attend the meeting because the poems are critiqued in advance (leader feedback will be mailed to you if you are unable to attend the meeting). Please pay at the meeting, if you attend. Otherwise, mail your check made out to Poets & Patrons to the treasurer Beth Staas,1634 Barnsdale Rd. # 105, La Grange Park IL 60526. Membership dues of $20 can be paid at the same time. E- mail questions to Wilda. If you do not get a reply to an e-mailed poem, call Wilda at 630/739-2983 to be sure your poem was received.


If you miss the deadline, email to see if your poem(s) can still be submitted.

Would You Like to Lunch with Other Poets?

Some of the poets gather at Panera, on the Southeast corner of State and Congress, between 11:30 and noon to have lunch or a cup of coffee together before the meeting. You are invited to join us there.



Introduction to Poets & Patrons

Poets & Patrons is a group of poets who encourage others to write and appreciate poetry. We meet in workshops four times a year and have started a series of meetings called Write! Chicago, where poets gather in a specific Chicago location and write afterwards.

Just a reminder to members: The fiscal year for Poets and Patrons is January 1-December 31, so it is time to pay your dues. Please send your check made out to Poets and Patrons to our treasurer, Beth Staas, at 1634 Barnsdale Rd. #105, La Grange Park, IL  60526. The membership form is available from the link above.

Looking to join us online?  Poets and Patrons is on Facebook; please like us if you want to stay current on our events.  We also have a blog at http://poetsandpatrons.blogspot.com/, and a website, of course, here at www.poetsandpatrons.net. 


Turquoise columns along a sidewalk in Chicago.

Each year, Poets & Patrons hosts four workshops, led by established poets, editors, and teachers from Illinois and surrounding states. The workshops are designed to increase skill in writing both traditional and non-traditional poetry. Unless otherwise noted, the workshops will be in room 6-N on the third floor of the Harold Washington Library, 400 S. State Street, Chicago, Illinois. Workshop participants are invited to join us for an optional lunch at the Panera at 501 State Street before each workshop in order to enjoy each others' company and talk about poetry generally. Members of Poets & Patrons who have published books are invited to display them for sale at any of our workshops and/or at the reading of the winning poems from the Chicagoland Poetry Contest.

Future Workshops

Write! Chicago Workshop

Future workshops will be posted here.




Chicagoland Poetry Contest


The Chicagoland Poetry Contest is one of the longest-running literary traditions in Chicago. This competition allows both members, and non-members to compete in various categories. First, second, and third place contest winners will receive their awards by mail this year. A $10.00 entry fee is required of all entrants. Poetry editors and teachers from across the nation are selected each year to judge all entrants anonymously. Winners are posted at the bottom of the page.

The Helen Schaible International Sonnet Contest

2011 Contest Winners
2012 Contest Winners

2013 Contest Winners
2014 Contest Winners
2015 Contest Winners
2016 Contest Winners



Book Publications by Members

We are pleased to provide a partial listing of book publications by our Members. We have also tried to indicate which books are still available and where you can obtain a copy. We hope to continually expand and promote this list as Members contact us with additional information. Click on the above link to learn more.


Our members are a diverse group, comprised of writers from widely varying backgrounds and ages. What unites us is a deep appreciation for poetry. In order to facilitate an open and non-exclusive environment, we keep our membership fees at a very reasonable level.

Membership entitles poets to hone their skills through interaction with like-minded people in both formal and informal sessions, including four workshops per year, notice of the annual Chicagoland Poetry Contest.

For further information, please contact us by sending a request for Membership to Beth Staas, Beth@staas.com. If you would like to join us, please fill out the following form: Membership Form. The cost of membership for 2016 is $20.

A Brief History


Poets & Patrons evolved from common desire to promote a meeting ground for poets and poet enthusiasts in the Chicago area. The Midwest Writers Conference previously filled the need with meetings and contests, but folded in the mid 1940s. Another poetry group, Poets Club of Chicago, was founded in 1936 by a group of high school teachers. Admission to Poets Club was by invitation and submission of poets' work. Members paid modest fees, held workshops and discussion sessions and shared a mutual love of poetry. At one point, Poets Club president Isabelle Gillespie Young, proposed a new club that would be open to all.

By 1954, Poets & Patrons was established. It was set up as a non-profit outreach group for poets who wished to receive professional criticism, with four workshops a year, held on the fourth Saturday in February, April, June and August. In 1956, Poets & Patrons created a Chicagoland Poetry Contest, open to all in the area. At one point there were 22 categories with awards and cash prizes.

Finding suitable meeting places was always a challenge for the group - libraries, a bank, the Cultural Center, Carson, Pirie, Scott - were discovered. Among the early meeting rooms was an unforgettable one offered by one of the group's founders, Anne Nolan. In the early 1950s, she offered space in the inner offices of her family's business, the Nolan Boiler and Tank Service. Members dubbed the group the Poetry Forge and Anne was the registered agent for 31 years. She was a highly skilled poet, as were her husband Clifford and her three sons. Her death in October 2006 greatly saddened Poets & Patrons members.

Sincere thanks and gratitude go to all members who have helped the group survive and flourish since 1954. The Court of awards held in 2006 marked the 50th celebration of The Chicagoland Poetry Contest. This event has become so important to this area's finest poets.


In Memoriam


In Memoriam

Nancy Carrigan was a Chicago area artist and poet. She saw a deep relationship between the two. In the last decades she wrote, Notes on an Ancient Chinese Flute, which won a grand prize in the Dancing Poetry Competition in San Francisco. The Prize resulted in her going to China as a guest of the Chinese government. In the 80s she merged her interest in art with stage sets and costumes for several ballet troops and was also involved in the Fermi Arts Program.
Glenna Rose (Preston) Holloway (7 Feb 1928-4 Sep 2015), whose husband Robert died in 1997 was a well-known Chicago-area poet, beloved by many. She was the founder of the Illinois State Poetry Society and her work was widely published, even though she had spent her first career in interior design. In addition to poetry, she was a lapidary artist, silversmith, and painter. She also served as Illinois Senior Poet Laureate three times and won the Pushcart Prize (2001), The Milton Doorman award, the Heart Crane Memorial, an Illinois Art’s Council Fellowship (2005), Grand Prize, Founders Award, National Federation of State Poetry Societies (2006), the National League of American Pen Women Biennial (2006). She has one book, Never Far from Water: And Other Love Stories (2009). Her free-lance writing appeared in Chicago newspapers and many magazines.

Margarete Cantrall (8 Apr 1921-19 Oct 2009) was born in Aurora, IL, and never lived so far from Chicago that she couldn't get there to see a play. She graduated from Northern Illinois University (B.A.) and the University of Illinois (M.A.). During the 1941-42 school year, she was state champion in extemporaneous speaking and debate. She taught English and American literature at Carroll College; University High School,Urbana, IL; and Northwestern Military and Naval Academy, Walworth, WS. For 27 years, she taught at North High School in Downers Grove, IL, where she chaired the English Department for 12 years and served two years as Assistant Principal. She designed the gifted program for the school, and sponsored a book club and student literary magazine. From 1987-2006, after her "retirement," she taught in the Older Adults Institute of the College of DuPage. Maggie, as her friends called her, held leadership positions in the Illinois State Poetry Society, Poets & Patrons of Chicago, the Jane Austen Society, American Association of University Women, Delta Kappa Gamma, and the Residents Council of Fairview Baptist Home. 

Gertrude Rubin had Chicago roots. She studied at Northeastern Illinois University and received her MFA from the Writers' Program, University of Illinois at Chicago in 1978. She belonged to Women Mobilized for Change in the 1970s, was an activist, and wrote two poetry books:   The Passover Poems, and A Beating of Wings. She belonged to the Poets' Club of Chicago and was president of Poets and Patrons. She had four of her poems on "Dial-A-Poem, Chicago" and was published in a number of anthologies, including the Anthology of Magazine Verse, 1985 and in many journals. In 1986, she won the Grand Prize in the Indiana State Poetry Contest, as well as many other awards. Gert helped organize group readings at Guild, Rizzoli's Bookstore, the Chicago Public Library Cultural Center, and the Chicago Historical Bookworks in Evanston. She performed her own readings in a number of settings. For at least two years, she did a series of readings at local nursing homes and senior citizen centers. For five years, she served as program convenor for disabled adults at the Mayer Kaplan Community Center.

Patricia Gangas (March 19, 1939-January 25, 2011) was a member of the Poets Club of Chicago and was the president of Poets and Patrons also in Chicago for nine years. She had three books of poetry published: All These Years, The Final Approach, These Places of Light. Her children's book Cats Everywhere was published in 2003. She authored a manuscript of mystical poetry called Gathering God, and a memoir titled How I Scared Cancer to Death: with God's help, neither of which has yet been published. Her hobbies were reading, attending college classes and playing Texas Hold'em. She was the wife of Thomas and mother of Peter and Valerie.


Officers and board members are listed below:


Vice President
Contest Chair
Workshop Chair
Linda Wallin   
Caroline Johnson
Barbara Eaton
Wilda Morris
Linda Wallin
Beth Staas

Links to other organizations

Chicago Poetry Blog

Haiku Society of America

Illinois State Poetry Society

Jupiter Blog

Naperville Writers' Group

Wallin's Wave

Wilda Morris' Poetry Challenge

Whisper From the Heart

The 2016 Chicagoland Poetry Contest Award Winners

The 2015 Chicagoland Poetry Contest Award Winners

The 2014 Chicagoland Poetry Contest Award Winners

The 2013 Chicagoland Poetry Contest Award Winners

The 2012 Chicagoland Poetry Contest Award Winners

 The 2011 Chicagoland Poetry Contest Award Winners

 The 2010 Chicagoland Poetry Contest Award Winners

The 2009 Chicagoland Poetry Contest Award Winners
The 2008 Chicagoland Poetry Contest Award Winners
The 2007 Chicagoland Poetry Contest Award Winners
The 2006 Chicagoland Poetry Contest Award Winners

The 2005 Chicagoland Poetry Contest Award Winners

The 2004 Chicagoland Poetry Contest Award Winners

Last updated 11/10/16.

Comments and questions on this website: lwallin at dwna.net